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回顾2014年,我发现,其中有个非常重要、可发人深思的事件,即曹禺先生名剧《雷雨》在北京演出时遭遇“笑场”。当时,文学界、艺术界、评论界、教育界……无不震惊,乃至愤怒。随后就出现各种批评、斥责、分析、探讨。据报道,当事的北京人艺导演很后悔举行公益演出,因门槛一低,就造成层次不高的年轻观众的搅场。紧接着,又有专业人士分析称,演出本身也有问题,很可能有些演员舞台经验不足,没把握好节奏。也有老演员回忆上世纪五十年代演《龙须沟》,开始也有笑场,后总结不足,逐步改进,观众终至不笑云。上述分析,有针对演员的,有针对观众的,却很少有针对剧本的(因
Looking back at 2014, I found out that there was a very important and thought-provoking event in that Mr. Cao Yu’s famous play “Thunderstorm” encountered “laughter” in his performance in Beijing. At that time, literary, artistic, critics, educators ... ... all shocked, and even anger. Then there are all kinds of criticism, reprimand, analysis and discussion. It is reported that the parties in Beijing art director is regrettable to perform public service performances, due to a low threshold, resulting in a low level of young audience’s stirring up. Then, another professional analysis, said the performance itself is also a problem, it is possible that some actors lack of stage experience, did not grasp the rhythm. There are also old actors recalled the 1950s acting “Long whisper”, there are laughter at the beginning, after the lack of summary, and gradually improve, the audience finally did not smile. The above analysis, for the actors, there are audiences, but rarely for the script (due to