论文部分内容阅读
在20世纪60年代末那个特殊的时期、特殊的时代中,诞生了一部中国戏曲音乐史上被公认为开拓性创新的音乐作品——钢琴伴唱《红灯记》。钢琴伴唱《红灯记》的创作者和表演者敢于走前人没走过的路,以京剧唱腔为基础,保留了京剧乐队的“武场”部分——京剧打击乐,突出了京剧音乐的韵味;同时充分发挥钢琴这一西洋乐器音域宽广、气势恢宏、富于表现力的特点,形成了完美的新音乐表演艺术形式。
In the special period in the late 1960s, a special piece of music was conceived as a pioneering and innovative piece of music in the history of Chinese opera - the “Red Lantern” accompanying the piano. Piano accompanist “Red Lantern,” the creators and performers dare to take the predecessors did not go through the road to Beijing opera singing as the basis, retained the Peking Opera band “Martial Arts ” part - Beijing Opera percussion, highlighting the Beijing Opera Music While giving full play to the wide range of the western musical instrument of the piano, magnificent and expressive, forming a perfect new form of musical performance art.