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主持人语:本期的主题是关于苗族民间蜡染图像的三重文本的互文关联。贵州省榕江县宰永村两位苗族妇女“画花者”手绘的蜡染图像、他们的图语自述以及生活讲述,还有记录者的现场报道,共同构成了一个完整的互文关系,由此建构起对于这些蜡染图像的一个特别的释义系统。如果在这个释义系统之外去读这些图像,它们或许会被解释为奇异的神话幻构,一种想象力的生产,等等。但是通过苗族“画花者”的自述,我们或许会为这些图像其中所隐藏着的有关宇宙、有关万物、有
Moderator Language: This issue’s theme is about the intertextual correlation of the triple texts of Miao folk batik images. The two hand-painted batik images of the two Miao women in “Slaughterhouse” in Jai Yong Village, Rongjiang County, Guizhou Province, their narratives and narrations of life and the live coverage of the reporters form a complete intertextual relationship, A special paraphrase of these batik images is thus constructed. If you read these images outside this paraphrase system, they may be interpreted as bizarre mythical illusions, a production of imagination, and so on. However, through the Miao “Painter ” readme, we may be hidden in these images which are related to the universe, all things, there are