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关于文学作品的结构研究,古今中外的文艺理论家们都对此作出了巨大的贡献,无论是中国古代庄子的“言意”说,王弼的“言意象”说,还是欧美国家黑格尔的“意蕴”说,英格尔的“层次结构”说等,都是世界文化研究史上的重要瑰宝,促进了文学结构研究的不断发展。近年来,随着世界经济文化的大繁荣,朱立元和童庆炳教授在前人研究的基础上提出了“内在结构五层次论”和“审美结果四层次论”等著名文艺研究理论,走在了文学审美结构研究的前沿。本文主要以现有的文学层次结构论为主要参考点,探究新时期的文学作品结构论。
With regard to the study of the structure of literary works, the literary and art theorists at all times and in all countries have made great contributions to this. Whether it is the ancient Chinese Zhuangzi’s “implication”, Wang Bi’s “implication”, or the European and American countries Hegel’s “implication” says that Ingrid’s “hierarchy” is an important gem in the history of world culture research and promotes the continuous development of literary structure studies. In recent years, with the great prosperity of the world economy and culture, based on previous studies, Professor Zhu Liyuan and Tong Qingbing put forward the famous theory of literary and art research such as “Five Levels Theory of Internal Structure” and “Four Levels Theory of Aesthetic Results” Walk in the forefront of the study of the aesthetic structure of literature. In this paper, the existing literary hierarchy theory as the main reference point to explore the new era of literary works theory.