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我赞成“关东戏剧”这个提法,这是一个大胆的、富于创见的、符合当前戏剧发展潮流的、鼓舞人心的构想。它对东北的戏剧家们可以起到提醒的作用、激励的作用和团结的作用;在文学艺术发展越来越多样化、立体化和个性化的今天,它可以以自己独具特色的理论和实践,贡献于祖国的百花剧坛;它符合文学艺术越来越开放,越来越走向世界,因而也越来越要求民族化,从而也越来越要求走向地域化和地区化的历史发展趋势。
I agree with the formulation of “Kanto Theater,” a bold and creative vision that is in keeping with the current trend of dramatic drama. It can play a reminder role for the dramatists in the Northeast, the role of inspiration and unity; in the development of literature and art more diverse, three-dimensional and personalized today, it can be its own unique theory and Practice and contribute to the motherland’s Baihuaju Tan; it is more and more open to literature and art, more and more to the world, and therefore more and more nationalization, which also requires more and more toward the historical development of regional and regional trends .