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最近有篇评论被广为讨论,文中说话剧导演对戏曲本体的伤害极大,罪不可恕,全文比较集中的批评了话剧导演不懂戏曲调度,不遵守戏曲规则,狂傲自大,以写实代替写意,以导演为中心指挥演员,使角儿成为傀儡,诚然,这代表相当一部分的现象,但是此种说法,其一是以偏概全,其二是泛泛而谈,三是此观点依然停留在表象上,没有深入。在批评话剧导演前,应思考三个问题:第一,话剧导演伤害了戏曲本体,不尊重戏曲的规则?那么到底这
Recent articles have been widely discussed in the article, the drama director said the drama on the body of a great harm, unforgivable, the full text of the criticism of the drama director did not understand drama scheduling, non-compliance with opera rules, arrogant, realistic Instead of being freehand, director as the center conductor, the corner children become puppet, of course, this represents a considerable part of the phenomenon, but this view, one is too general, the second is general and talk, the third is still the point of view Stay in appearance, no depth. Before criticizing a drama director, three questions should be considered: first, the director of the drama harms the drama itself and does not respect the rules of the drama; so in the end