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藏族面具艺术起源于巫术观念和巫师行为,它是原始文化的遗存。它主要运用于宗教和藏族戏剧之中,它主要分两大类:一种为宗教面具;一种为戏剧面具。宗教面具以羌姆(跳神)形式展现,用于“酬神醮鬼驱邪禳灵”;而戏剧面具则脱胎与宗教面具,溶入人性因素,运用于藏戏,歌舞和说唱等方面。本文通过面具的分类分析了藏族面具独有的艺术特色与文化内涵。
Tibetan mask art originated in the concept of witchcraft and wizarding, it is the remains of primitive culture. It is mainly used in religious and Tibetan drama, it is mainly divided into two categories: one for the religious mask; one for theatrical masks. Religious masks are presented in the form of Qiang Mu (“god of journeys”), while “masquerades of gods and gods are exorcism and evil spirits”; while masks of drama are born abducted and religious masks dissolve human factors and are used in Tibetan opera, song and dance, and rap. This article analyzes the unique artistic features and cultural connotation of Tibetan masks through the classification of masks.