论文部分内容阅读
看到郝平的《古瓶系列》是在他完成《西部日志》后一年(1996年)。 《古瓶系列》画面都不大,但人物众多,线条繁密,一古瓶置于画面正中,人物、景物忽在瓶中,忽在瓶外。观画的思绪飘离画外,把中国南宋时期的院体画在脑里过上一过,忽又闯进陈老莲的木版插图……,好象非把中国美术史过一遍,方能找到观看此画的支点。细想,郝平的这一转变,不是偶然,而是他多年在版画创作上历尽艰辛探索的必然。 我与邻平相识是在80年代初。在那个时期,我们都不约而同地关注着云南边疆
See Hao Ping’s “ancient bottle series” is the year after he completed “Western Journal” (1996). “Ancient Bottle Series” screen is not large, but many characters, dense lines, an ancient bottle placed in the middle of the picture, characters, scenes suddenly in the bottle, suddenly in the bottle. Painting ideas drift away from painting, the Chinese Southern Song dynasty painting in the hospital after a while, and suddenly broke into Chen Laolian wooden version of the illustration ... ... it seems that the history of Chinese art again and again can only Find the fulcrum to watch this painting. Thinly thought, this change of Hao Ping, not accidental, but his years of hardships in printmaking exploration inevitable. My acquaintance with my neighbor was in the early 1980s. At that time, we were all concerned about the Yunnan frontier