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在文学领域,陈词滥调俨然是种现象,更令人沮丧的是,年轻写手们对于陈词滥调的麻木态度。模仿化、脸谱化,不仅仅是作家的语言表达及创新能力在经受考验,而且意味着一个民族的情感体验和思想深度在不进则退。关于陈词滥调,字典上是这么解释的:陈指时间久的、旧的;词:1言词、词句2〔语〕语言中最小的有意义的可以自由运用的单位;滥:滥,泛也——《说文》,本义:浮起,浮现1大水漫溢〈引〉过度,无节制2失真,不切实际;调
In the field of literature, clichés are a phenomenon, and even more frustrating is the numbness of young writers about clichés. Imitation and masquerading, not only are the verbal and creative abilities of writers undergoing tests, but also mean that the depth of emotional experience and thinking of a nation can not be retreated or retreated. On the cliché, the dictionary explains this: Chen refers to the long-standing, old; Words: 1 words, words 2 [language] the smallest meaningful free use of the unit; abuse: abuse, Pan also - “Said the text”, the original meaning: floating, emerge 1 flood overflow excessive, incoherent 2 distortion, unrealistic; tune