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相信不少人对于梁克刚最近的网络众筹展览项目有所耳闻,由此引申出的一系列或尴尬、或尖锐的现实问题发人深省。其实,关于策展人这一特殊的社会角色,曾不止一次地被拿出来讨论,然而到了今天,随着自媒体的兴起,关于策展人的一些新倾向不可避免地成为业界“不得不说”的话题。任何一个行业的介入其实都面临一个“门槛”的问题。就像一个刚刚走出校门的大学生,在选择人生第一份工作时所要准备的各种履历一样,要考虑如何打动自己的面试官,成功地在诸多竞争者中脱颖而出,赢得一份自己想要的工作,
I believe many people have heard about Liang Kegang’s recent online crowdfunding exhibition project, which leads to a series of problems or embarrassing or sharp issues thought-provoking. In fact, the special social role of the curator has been brought up for discussion on more than one occasion, but today, with the rise of the media, some new tendencies regarding curators inevitably become the industry. Say “topic. In fact, the intervention of any industry faces a ”threshold" problem. Like a college student who has just gone out of school, he has to consider how to impress his own interviewer in the various resumes he has to make when choosing the first job of his life. He successfully manages to differentiate among many competitors and win the one he wants jobs,