1927-1934年苏区革命音乐的生成及其特征

• 作 者: 陈宗花
• 机 构: 福建师范大学音乐学院,
• 出 处: 郑州大学学报(哲学社会科学版)
• 发表日期: 2011年05期
• 关键词: 苏区 苏区音乐 民间音乐 革命音乐 文艺工作者 文艺活动 组织群众 革命歌曲 红军时期 音乐创作

处在1927-1934年特殊历史背景下的苏区,为了适应革命宣传工作的需要,发动、组织群众及文艺工作者,探索出采用民间音乐曲调形态编创革命歌曲进行革命宣传的方式。这种运用“旧瓶装新酒”方式编创容易被群众理解、接受的革命歌曲的做法,成为红军时期最活跃、最普及的文艺活动。但是在苏区音乐发展中,存在着简单化、艺术性弱的局限性,这对革命音乐的发展创新也带来了一定的不利影响。

The Soviet Area under the special historical background of 1927-1934, in order to meet the needs of the revolutionary propaganda work, mobilized and organized the masses and literary and art workers to explore ways of using revolutionary folk music tunes to compile revolutionary songs for revolutionary propaganda. This practice of using “old bottled wine” to create revolutionary songs easily understood and accepted by the masses has become the most active and popular literary and art activity during the Red Army. However, in the development of music in the Soviet Union, there are limitations of simplification and artistic weakness, which have also brought some unfavorable influences on the development and innovation of revolutionary music.