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中华民族乐器文化历史悠久,内容繁富,在这部珍贵的历史长卷中,阿尔泰语系蒙古民族发明的马头琴,无疑占有显赫地位。自元代至今数百年来,不少乐器史家、东方学家曾对她细密考究,但他们的研究,对马头琴的足迹和形制特色,涉足不多甚至有所疏忽,而这却是马头琴研究的重要课题。 马头琴产生年代,史无明载,已成谜案。但仔细搜觅有关古代典籍,仍可窥见她盛行于何时。王恽(1227—1304),元代汉族文人,字仲谋,别号秋涧,河南汲县人。生于成吉思汗辞世之年,卒于元成宗铁穆尔大德八年。他是忽必烈汗时代至元初之大官。他在《中堂事记》中记载:“张抄儿赤奏:‘随路乐人善发事,仰行下各路宣抚司与民一例当差,止免杂。仍仰
The Chinese national musical instrument culture has a long history and rich contents. In this precious historical scroll, the Matouqin invented by Mongolian nationality of Altai ethnic group undoubtedly occupies a prominent position. Hundreds of years since the Yuan Dynasty, many musical historians and orientalists have studied her carefully, but their research on the footsteps and shape of the ditou features little or no carelessness, which is the study of the dances An important issue. Matouqin generation, no history, has become a mystery. However, if you look closely at the ancient books, you can still see when she prevailed. Wang 恽 (1227-1304), Yuan Dynasty Han scholar, word conspiracy, nickname autumn stream, Jixian County, Henan. Born in the year of Genghis Khan’s death, died in Yuan Chengzong Tiemur Dade eight years. He is the Kublai Khan era to the early days of the great officials. He recorded in the “Zhongtangji”: "Zhang copy Erzhong: ’Good music along the road, under the line of Xuan Fusi and the people of a case of poor, only to avoid miscellaneous.