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一个场面,不但要有宽阔的背景衬托,同时伴随着错落有致的声音元素。声音元素的加入能使场面描写更具立体感。比如,《小音乐家扬科》中声音描写多杂而有致:未见形而有其声:有时候他到树林里去采野果,回家来篮子常常是空的,一个野果也没采到。他说:“妈妈,树林里在奏乐呢,噢咦!噢咦!……”直观的声音描写:田野里,小虫为他演奏;果园里,麻雀为他歌唱。凡是乡村里能听得到的一切响声,他都注意听着,他觉得都是音乐。堆草料的时候,他听到风吹得他的木叉“呜呜”作响。
A scene, not only has a broad background, accompanied by the patchwork of sound elements. The addition of sound elements can make scene description more three-dimensional. For example, “a small musician Yangke” in the description of the sound of many complicated: there is no shape and sound: Sometimes he went to the woods to take wild fruit, come home to the basket is often empty, a wild fruit Taken. He said: “Mom, playing in the woods, oh! Oh!” Intuitive sound description: In the field, bugs play for him; in the orchard, the sparrows sing for him. All the sounds that can be heard in the village, he listened attentively, he thought it was music. When heaping fodder, he heard the wind blow to his wooden fork “hum” sounding.