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艺术品作伪古已有之。以书画赝品为例,据考证,制作书画赝品的年代可以追溯到三国时期(公元220—265年)。东晋时期制作假画的技术开始日臻成熟,而唐宋时期以假乱真的程度已令世人侧目,明清时期的书画作伪之风则有过之而无不及。改革开放以来,随着艺术品市场的日渐火爆,赝品的泛滥更是到了登峰造极的地步,甚至出现了许多分工程度和制作工艺都极高的专业化作坊和工厂,以致于
Works of art have been pseudo-ancient. Take painting and calligraphy as an example, according to research, the age of painting and calligraphy can be traced back to the Three Kingdoms period (220-265 AD). The art of making fake paintings in the Eastern Jin Dynasty began to mature day by day. However, the degree of falsehood in the Tang and Song Dynasties has made the world noticeable. The painting and calligraphy in the Ming and Qing dynasties went beyond the fake style. Since the reform and opening up, with the ever-increasing popularity of the art market, the proliferation of counterfeit goods has reached a peak. Even many specialized workshops and factories with high degrees of division of work and production processes have emerged