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香菱是《红楼梦》中不可忽视的重要人物,她具有重要的结构意义。她在前四回的不幸遭遇与宝玉神游太虚幻境这一回的内容起到相互补充的作用,共同预示了众多青春女儿不可避免的悲剧结局,而其独特的多重身份和遭遇不幸的多样性又使之具备了典型形象的条件,体现了青春女儿“千红一哭,万艳同悲”的必然性。同时,香菱又是全书贯穿始终的形象,她于第一回出场,最后一回退场,见证了大观园青春女儿的悲剧和贾府由盛而衰的更替过程,在叙事结构中起到了穿针引线和贯穿始末的作用。
Xiangling is an important figure that can not be ignored in A Dream of Red Mansions. She has an important structural significance. Her unfortunate experience in the first four encounters and the content of this gem of the gem fugue play a complementary role, which together indicates the inevitable tragedy of many young daughters and their unique multiple identities and unfortunate diversity But also make it have the typical image of the conditions, reflects the inevitability of the young daughter “red and one cry, Wan Yan with sad ”. At the same time, Xiangling is the consistent image throughout the book. Her debut in the first appearance and her retirement in the last one have witnessed the tragedy of the Grandchildren’s young daughter and the changing process of the Jia’s government from prosperity to decline. Throughout the role.