论文部分内容阅读
歌剧演出史在历经巴洛克时期的“歌唱家的歌剧”和格鲁克歌剧改革以降的“作曲家的歌剧”两个阶段之后,迎来了从上世纪至今方兴未艾的“导演的歌剧”这一新时期。“导演的歌剧”(director’s opera)仿佛在新的更高的发展阶段又返回到“歌唱家的歌剧”那种对作品任意解释的状况。发端于维兰·瓦格纳(Wieland Wagner,1917-1966)的“导演的歌剧”之理念逐渐蔓延,对戏剧各个门类的呈现方式产生了全面影响,最终使经典戏剧仿佛成为导演手中的玩物,可
The history of opera performance ushered in the ascendant from the last century to the present after the “opera of the singer” of the Baroque period and the “opera of the composer” of the opera reform of Gluck. Opera “this new era. ”Director’s opera“ seems to return to the ”opera of the singer“ in the new, higher stage of development, the arbitrary interpretation of the work. The concept of ”director’s opera" originating in Wieland Wagner (1917-1966) gradually spread and made an overall impact on the way in which the various categories of theater were presented. As a result, the classic drama seemed to become a plaything in the hands of the director, can