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1945年8月,日本军国主义投降,揭露和鞭挞军国主义祸国殃民罪行成为时代要求。真正的日本战后戏剧,多以战争为主题,以战争时期为背景,或以战后初期的日本社会为舞台,主要深入探讨日本国体和日本社会的实质,探索潜伏在两者之间的人性。森本熏(1912-1946年)的五幕话剧《女人的一生》(1946年),从日俄战争写到二战日本投降为止,在百年风云变幻的大背景上,展示了日本近代史的微缩景观。1960年郭沫若观后曾赋诗说,“侵略战中发暴财,一家零落遭兵灾。由来玩火焚于火,只见上台没下台。悔祸能
In August 1945, the surrender of Japanese militarists and the revelation and whipping up of militarism and disastrous crimes committed by militarism became the demands of the times. The real Japanese post-war drama, mostly on the theme of war, on the basis of the war period, or in the early postwar Japanese society as a stage, mainly in-depth study of the essence of the Japanese state and Japanese society to explore the lurking human nature . Morimoto (1912-1946) of the five plays ”a woman’s life“ (1946), from the Russo-Japanese War wrote World War II Japan capitulation so far, in a hundred years of ever-changing background, showing the miniature landscape of Japan’s modern history . In 1960, after Guo Moruo’s conception of ”poetry“, he said: ”In a war of aggression, a tyranny was found,