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那圣神的寺庙,飘动的经幡,华丽的藏楼,斑驳的羌碉,在他笔下像是任由画家摆布堆积着的线条与色块,就像一个孩子摆弄着他的积木一样,他发现了高原上的另一种美,那是一种更加简淡、纯净、质朴的美,一种平淡天真的美。“画以游奇,巴蜀山水当为天下最奇”。四川的自然风貌拥有独特的气质:既有类似北方山水的深邃奇崛、雄厚壮阔,又有类似南方的温润清秀、平淡天真。因此这里的艺术风格往往南北兼容、雄秀兼备。其雄奇不同于北方的刚直,多了份灵动变幻、多了份水墨氤氲。其秀润也不同于江南的柔婉,多了份险峻
The Temple of the Holy Spirit, the fluttering prayer flags, the magnificent Tibetan building, the mottled Qiangtang, under his pen, let the painter like to pile up the accumulated lines and color blocks, just as a child played with his blocks, The discovery of another beauty on the plateau is a simpler, pure, simple beauty, a plain, innocent beauty. “To travel odd, Bashu landscape when the world’s most curious ”. Sichuan’s natural style has a unique temperament: Both the profound and similar northern landscapes, rich, magnificent, there are similar to the warm and handsome south, plain naive. Therefore, the art style here is often North-South compatible, both male and female. Its magnificent different from the rigid north, more than a smart change, more copies of ink and wash. The show is also different from the soft Jiangnan, more dangerous