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郭沫若在《周易时代的社会生活》一文中曾有这样一段文字:古人数字的观念以三为最多,三为最神秘(三光、三才、三纲、三宝、三元、三品、三官大帝、三身、三世、三位一体、三种神器等等)。由一阴一阳的一划错综重迭而成三,刚好可以得出八种不同的方式。这和《洛书》的由一二三四五六七八九配合而成魔术方乘一样。这种偶然的发现,而且十二分的凑巧,在古人看来是怎样的神奇,怎样的神秘哟~①!郭沫若由《周易》的阴阳二爻,即“-”(阳爻)和“--”(阴爻)的错综重迭演绎出八卦(即三画卦,又称经卦),八卦又演绎出六十四卦(即六画卦,又称复卦、别卦),进而认识到数字“三”的神秘神奇.对郭沫若的这一认识,目前学界在言及其易学思想时,基本上都没有涉及。或有引用,
Guo Moruo wrote a passage in the article entitled “Social Life in the Book of Changes”: the concept of the ancients used three as the most three and the three most mysterious (Sanguang, Sanshi, Sanguan, Sambo, Sanyuan, Mogao, Body, III, Trinity, three artifacts, etc.). By a yin and yang of the zigzag overlapping three, just to draw eight different ways. This and the “Los Shu” by one two three four five six seven eight nine with the magic side by the same. This accidental discovery, and twelve coincidence, in the ancients seems to be what the magic, what kind of mystery yo ~!! Guo Moruo by the “Book of Changes” yin and yang, that is, “-” (Yang 爻) and “- ” (Yin 爻) intricate deduction gossip (that is, three paintings of hexagrams, also known as the hexagrams), gossip and deduced sixty-four hexagrams (that is, six hexagrams, also known as complex hexagrams, ), And then realize the mystery of the number “Three ” This understanding of Guo Moruo, the current academic circles in speaking its Yi-ology thought, basically did not involve. Or quoted,