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大足、安岳地区的许多佛教造像为摩崖石刻,分布于山林之间,陡崖之上。我从2006年开始在大足、安岳选择古代佛教石窟作为自己的绘画创作题材,以石窟现场写生为主要创作方式,创作出了200余幅作品,较为系统地呈现了大足、安岳的几十处石窟艺术。在石窟现场我以丹培拉材料为主,使用蛋液、天然树脂、蜂蜡等媒介和矿物质颜料,时而间接、时而直接地表现,力求画面呈现出丰富的变化,从而凸显石窟艺术的古典、高
Many of the Buddhist statues in Dazu and Anyue areas are cliff stone carvings distributed among the mountains and forests and steep cliffs. Since 2006, I have chosen ancient Buddhist caves as the main themes for their creation in Dazu and Anyue, and have created more than 200 works with sketch writing at the site of the Grottoes, presenting dozens of works of Dazu and Anyue in a systematic way Grottoes art. In the grotto field, I mainly use the materials of Dangberra, such as egg liquid, natural resin, beeswax and other media and mineral pigments, and indirectly, directly and directly, and strive to show a rich variety of images, thus highlighting the classical, high