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显然,马尔克斯摘取诺贝尔文学王冠的荣耀和文坛上的“寻根热”触动了剧作家的神经,使他们看到了戏剧缪斯和地域特色的亲缘关系。在近年来较有影响的关东剧作家的作品中,出现了一些体现关东文化背景、具有浓厚关东意识的作品。当然,和文学上“寻根”作家旗帜鲜明的主张相比,这些作家的追求还显得有些模糊、朦胧,还没有内化为一种较明确的自觉意识。理论上也是这样,虽然
Obviously, the magnificent acquisition of Nobel literary crown by Marquette and the “root-seeking fever” in the literary world touched the nerves of the playwrights so that they could see the relationship between theater muse and geographical features. Among the works of Guandong dramatists, which have been influential in recent years, some works have emerged that reflect the Kanto cultural background and have a strong sense of Kanto. Of course, the pursuit of these writers appears to be somewhat vague and obscure, and has not yet been internalized as a clearer conscience than the one with the clear-cut “root-seeking” writers. The same is true in theory, though