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书、画并列相称,古已有之。以明清两代为例,仅书画并列相称的书目较为有名的就有陈继儒《书画史》、刘璋《皇明书画史》、孙凤《孙氏书画朝书画钞》、张丑《清河书画舫》、郁逢庆《郁氏书画题跋记》、黄锡蕃《闽中书画录》、王时敏《王奉常书画题跋》、卞永誉《式古堂书画汇考》、吴其贞《书画记》、陆时化《吴越所见书画录》、陶梁《红豆树馆书画记》、梁章钜《退庵金石书画跋》、李佐贤
Books, paintings tied side by side, the ancient has been. In the Ming and Qing dynasties, for example, only the bibliographies that are equally well-proportioned in painting and calligraphy are Chen Ji-ru’s History of Calligraphy and Painting, Liu Zhang’s History of Huang Ming’s Painting and Calligraphy, Sun Feng’s Painting and Calligraphy of the Sun, , Yu Fengqing “Yu’s painting and calligraphy inscribed postscript”, Huang Xifan “Minzhong painting and calligraphy records”, Wang Shimin “Wang Feng often calligraphy and painting Postscript”, Bian Yong-yu “style ancient calligraphy and painting remittances,” Wu Qizhen “ , Tao Liang ”Red Bean Museum painting and calligraphy“, Liang Zhang Ju ”retreat namolithic painting and calligraphy", Li Zuo Xian