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1987年,电影还很艺术的时候,拍戏的机会不是很多。这一年,在军艺上学的吴若甫主演了三部电影:《大阅兵》《陆军见习官》和《望日莲》,但吴若甫并未就此走向他的表演巅峰,此间他的演艺形象集中在军人、警匪、农民等几类,即或《黑脸》中的光彩,也因为反一号的定位而难以长袖善舞、行云流水。 《牵手》不期而至。作为中央电视台影视部全额投资的作品,从剧作内容到走向,为表演发挥提供了现实与时代的空间,也提出了很高的要求。这是一部感情戏,现代中青年知识分子的命运与情感选择,游走在大时代的躁动与机遇中,风云际会是简单的道德判断所难以包容和界定的,同时作品的时代性与现实性也决定了没有表演范本可求。于是,
In 1987, the movie was still very artistic, filming opportunities are not many. This year, Wu Ruofu, a military academy student, starred in three films: “The Military Parade,” “Army Trainee Officer,” and “Wang Ri Lian.” But Wu Ruofu did not reach the peak of his performance, Soldiers, cops and robbers, peasants and other categories, that is, the luster of “black face”, and the difficulty of being long-sleeved, daring, and flowing because of the positioning of the anti-first. “Hand in hand” unexpectedly. As the film and television department of CCTV’s full investment in the work, from the play content to the direction of the show to provide realistic and contemporary space, but also put forward high expectations. This is an emotional drama. The fate and emotional choice of modern young and middle-aged intellectuals walk in the agitation and opportunity of the great times. The situation of the world is simply difficult to be tolerated and defined by moral judgment. At the same time, the epoch and reality of the works Sex also determines that there is no model for demonstration. then,