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引言奥地利文学的死亡主题在维也纳现代派时期就已有了发芽的土壤。这一时期文学的末世狂欢气息和对死亡的悲叹感伤,伴随着哈布斯堡神话的破灭达到了极致。霍夫曼斯塔尔由死向生的视角,施尼茨勒的死亡临界状态,都对死亡进行了新的文学阐释。“二战”前后,面对纳粹的铁蹄和反犹的恐怖,奥地利作家依然用死亡主题来表达内心的愤怒与抗争。这一时期的
Introduction The theme of the death of Austrian literature has sprouted soil during the Vienna modern period. This period of literature eschatological atmosphere and lament the death of sad sentiment, accompanied by the destruction of Habsburg myth reached the extreme. Hoffmanstal’s life-to-death perspective and Schneider’s critical state of death all give a new literary interpretation of death. Before and after the “World War II”, in the face of the horrors of the Nazis and the anti-Semitism, Austrian writers still use the theme of death to express their inner wrath and resistance. This period