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蒂姆·伯顿是当前好莱坞没有片面迎合市场趣味的导演。在其作品中,他表现出了丰盈的自我创作能力,电影并不是伯顿赚取利润的工业制造品,而是个人思想、经历或心境的体现。由于伯顿本人天马行空的想象力和对阴郁哥特风格与灿烂的童话风格的兼爱,其电影无论是在思想内涵,抑或是在表现手法上,都有着强烈的陌生化审美特性。文章从主题思考的陌生化、人物形象的陌生化、叙述氛围的陌生化三方面,分析蒂姆·伯顿电影的陌生化审美特性。
Tim Burton is currently not one-sided Hollywood to meet the market fun director. In his work, he demonstrated an abundance of self-creative abilities. The film is not Burton’s profitable industrial manufacturing, but an expression of personal thought, experience, or mood. Due to Buman’s imaginative imagination and his love of gloomy Gothic style and splendid fairy tale style, his film has a strong unfamiliar aesthetic characteristic both in his connotations of thoughts and in expression techniques. The article analyzes the unfamiliar aesthetic characteristics of Tim Burton’s films from the defamiliarization of thematic thinking, the defamiliarization of characters and the defamiliarization of the narrative atmosphere.