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《湖北画报》:《楚国八百年》在八集的不长篇幅里,怎么呈现近八百年纷繁复杂的楚国历史?是如何策划的?向培凤:楚国有八百年,选取什么内容是难点。确定怎样的主题,选取哪一些历史事件,如何完成片子的架构,这是剧本创作过程中要把握的重点。创作组最终确定了“中原化”作用于楚国的兴衰这一主题创作方向。在创作剧本中,我们以主要人物和事件作为推动故事叙事的主要线索,紧扣“中原化”这把双刃剑对楚国兴衰这条主线展开。最终剧本整体以楚国盛衰荣枯的历史展示其波澜壮阔的历程,且每一集又独立成
“Pictorial Hubei”: “The Eight Hundred Years of Chu State” In the short episode of eight episodes, how did it present the complicated and complicated history of Chu State in the past eight hundred years? How is it planned? Xiang Peifeng: In the eight hundred years of Chu State, What to choose is a difficult task. What kind of theme to determine, select what historical events, how to complete the film’s structure, which is the key to grasp the process of writing the script. The creative team finally confirmed the theme of “Central Plainsization”, which is the role of the rise and fall of Chu. In the creative script, we use the main characters and events as the main clues to promote the narrative of the story, and closely follow the theme of “Central Plainsization” as the double-edged sword that has brought about the rise and fall of the Chu Kingdom. As a whole, the final script displays its magnificent history with the decline and decline of Chu Kingdom, and each episode is independently