论文部分内容阅读
欣赏文学作品,当以涵泳咀味其趣味神思为主,而密察之考辨则不妨姑置为第二义。然而有些所在,若不下一番考释辨析的功夫,便终觉茫然而不解,隔阻而不通。故我国自唐代以来,“诗话”或通于史部之传记,或通于经部之小学,或通于子部之杂家,围绕作品这个中心而知人论世,诠释名物,以助欣赏。这无疑是十分必要的。即以语言读解为例。语言读解是文学欣赏的第一步。清初桐城派文论家刘大槐曾言:“神气者,文之最精处也;音节者,文之稍粗处也;字句者,
Appreciation of literary works, when the taste Hansen Tsui their taste of God-based, and the investigation of the Might not be allowed to set as the second meaning. However, some where, if not under a test of interpretation of the Kung Fu, they finally feel dazed and puzzled, isolated and unreasonable. Therefore, since the Tang Dynasty, “poetry” or biographies through the history department, or primary schools passed through the Ministry of the Ministry of the People’s Republic of China or other monographs passed by the Ministry have been known around the world for their works and their names are interpreted to help appreciate. This is undoubtedly very necessary. Take language reading as an example. Reading is the first step in literary appreciation. At the beginning of Qing Dynasty, Tongcheng literary critic Liu Dahuai once said: "The most admirable person of the gas is also the syllabary;