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“弧身”式样意指建筑在面阔方向出现曲面,且弧度向里的一种做法。在现代建筑创作中,这一古老的手法已有了新的特征。本文对其作了从外到内、由表及里的探索。帕提农神庙上的陶立克柱式雄浑、单纯。柯布西埃(Le Corbusir)赞誉为“是从阳光与材料的理性研究中得出来的,所以它们好象是与天空、与土地自然地联系着的。创造了象‘海’象‘山’一样合情合理,可以理解的东西。”我国南京东效南朝梁萧景之墓表,其柱身雕以弧形凹槽的做法亦为“弧身”式样。
The “arc” style refers to the way in which the building appears curved in the direction of the surface and the arc is inward. In modern architectural creation, this ancient technique has new features. This article has made its exploration from outside to inside, from the table to the inside. At the Parthenon temple, the Tao Li Ke style is pure and simple. Le Corbusir praised it as “being derived from the rational study of sunlight and materials, so they seem to be naturally associated with the sky and with the land. Created like ’sea’ like ’mountain’ It is just as reasonable and understandable.” The tomb table of Liang Xiaojing in Nanjing’s Dongyi Southern Dynasties in China was shaped like an arc by its arcuate groove.