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或许有人说游莉的摄影是从“避世姿态”开始的。荒僻之地能有什么滋养?那里本来就不是常规意义上的影像富矿区。随着一系列作品的呈现,我们发现,对那些等着看按画线行走的“公路片”和有主题的“图片故事”的人来说,游莉的作品肯定是大异其趣的。她的作品挑战了摄影的最常规策略,无关题材、无关家国,没有传统审美中的奇观异景,也没有出现一个有头有尾、有据可考的故事。
Some people may say that the photography of You Li started from “Shyness gesture ”. What nourishment can be a barren land? There is not the usual sense of the image rich in mining area. With a series of works presented, we find that for those who are waiting to see the “road slides” and the themed “picture stories” walking along animated lines, the works by You are definitely different Its fun. Her work challenges the most conventional tactics of photography, unrelated topics, unrelated home countries, no spectacle of wonder in traditional aesthetics, and no full-length, well-tested story.