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“平远”之说是山水画“三远”法中的一种表现方式,从古到今大多数的人将它解释为一种透视概念,有些则把它解释为玄学思想—心中意境的一种再现,这将其郭熙平远法的表现形式简单的理解为精神层面和解放,局限于有真实的“远”的空间表现,使人通过想象达到远处无的境界,在艺术中形式中这种意境美是需要通过一定的笔墨和丘壑来表现的。只有将其三者巧妙的结合才能创造出耐人寻味的山水绘画作品来。
“Pingyuan ” is a kind of expression in landscape painting “three far ” law. Most people from ancient to today interpreted it as a kind of perspective concept, while others interpreted it as metaphysics - A kind of reproduction of the artistic conception in the mind, which simply interprets the expressive form of Guo Xiping’s far-reaching method as the spiritual level and emancipation, confines itself to the real spatial representation of “Far ”, enabling people to reach distant realm through imagination, This artistic conception of beauty in the form of art needs to be expressed through a certain amount of ink and sky. Only the ingenious combination of the three can create interesting landscape paintings.