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培龙在80年代默默地跻身于中国画成功者行列,他使人感到惊奇,但不费解。培龙的成功,在于抓住一个水恒的题材,真中的“童稚”,童稚中的真情。 儿童是艺术的一个永恒题材。丰子恺认为成年人的世界是虚伪的世界,这可能有点偏激,但儿童世界才是真善美的世界,却是毋庸置疑。因为儿童的思维、行动都是不经掩饰的,我们称之为“童真”,培龙的画再现这种童真。这种童真的取得,源于培龙喜欢和儿童交朋友,和儿童说悄悄话,一起玩乐。培龙是儿童的崇拜者,所以画中充满童心、
Pei-long in the 80’s silently among the ranks of successful Chinese painting, he was surprised, but do not understand. The success of Peilong lies in grasping the theme of constant water and the true childlike innocence of the childlike innocence. Children are an eternal theme of art. Feng Zikai that the adult world is a hypocritical world, which may be a bit extreme, but the children’s world is the real world of beauty, it is beyond doubt. Because children’s thinking, action is unmasked, we call it “innocence”, Peilian’s painting to reproduce this innocence. This childlike acquisition, derived from Peilong like to make friends with children, and children whisper, have fun together. Peilong is a child admirer, so the painting is full of innocence,