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通过各项技术的发展应用,以往在艺术领域最为“独乐乐”的中国书法得到了国际学者的钟爱。继敦煌壁画和彩塑在20世纪震惊了世界之后,佛经石刻或许将成为21世纪中国与世界对话的桥梁。北朝末年,即公元6世纪,北齐境内的沙门、僧官、王公显贵、地方官吏和豪族,协力组织了一次又一次的刻经工程。他们捐出资产,踏勘山林,调集工匠,开凿石窟,写经于石,然后刊刻造出了一处又一处的佛教刻经的景观。刻经始于
Through the development and application of various technologies, Chinese calligraphy, which used to be the most “unique” in the art field, has been favored by international scholars. After Dunhuang frescoes and colored plastic shocked the world in the 20th century, the Buddhist scriptures and stone carvings may become the bridge between China and the world in the 21st century. In the late Northern Dynasties, the 6th century AD, Salmonella, monk officials, princes and dignitaries in the Northern Qi Dynasty, local officials and the noble family, worked together to organize the carving project after project. They donated assets, reconstructed mountains and forests, mobilized artisans, excavated grottoes, wrote them through stone, and published them one after another of Buddhist scriptures. Carved by the beginning