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结构主义是列维-斯特劳斯艺术人类学研究的主要方法论特色,它具有系统性、转换性、恒定不变性、二元对立性、共时性及无意识性六大特征。列维-斯特劳斯在其艺术人类学研究过程中表现出来的这种自觉的方法论意识为美学、艺术学研究提供了方法借鉴。作为坚定的结构主义者,尽管列维-斯特劳斯在其文本中围绕结构与经验、结构与历史、结构与形式的关系为结构主义作了有力辩护,但不可否认的是,他对结构方法的运用有时过于主观随意,其对具体研究对象“结构”的剖析充满了先验性,具有极强的演绎色彩。
Structuralism is the main methodological feature of the research of Levi-Strauss art anthropology. It has six characteristics of systematicness, transformativeness, invariance, binary opposition, synchronicity and unconsciousness. This conscious methodological awareness demonstrated by Levi-Strauss in his artistic anthropological research provides a methodological basis for the study of aesthetics and art. As a firm structuralist, though Levi-Strauss defended structuralism in his texts around structure and experience, structure and history, structure and form, it is undeniable that his view of structure The use of the method is sometimes too subjective and arbitrary, and its analysis of the specific research object “structure ” is full of a priori, with a strong interpretation of color.