论瑶族民歌“嘛哈咧”与“咿呀嘞”的个性特征

• 作 者: 吴祖斌 叶云珍
• 机 构: 贺州学院音乐学院,
• 出 处: 通俗歌曲
• 发表日期: 2014年08期
• 关键词: 瑶族民歌 平地瑶 音乐文化 地方方言 艺术风格 衬词 富川 多声部民歌 旋律线 文化特性

平地瑶是瑶族一个支系,相对于居于高山深处的其它瑶族支系来说,他是一个吸收汉文化较多的族群,该民族都会讲汉语及地方方言,这也决定了平地瑶音乐文化的多元性,开放性,包容性,使得各地平地瑶的音乐有着许多相近的艺术风格。本文以蒙山瑶族民歌“嘛哈咧”与富川民歌“咿呀嘞”为例对不同地域瑶族民歌的相似个性与不同特征进行简单的分析。

Ping Yao is a branch of the Yao ethnic group. Compared with other Yao ethnic groups living in the deep mountains, he is an ethnic group that absorbs more Chinese culture. The ethnic groups both speak Chinese and local dialects, which also determines the Pingyao music culture Diversity, openness, inclusiveness, making the music around Pingyao has many similar artistic styles. This paper analyzes the similarities and dissimilarities of the Yao folk songs in different regions with the folk songs of the Yao ethnic group in “Mengshan” and “Folk songs of the Bucheon” as examples.