论文部分内容阅读
这些印,是我1999年后刻的。多是名章,但不全是为了应酬。我曾经一直想刻些闲章,觉得闲章更像所谓的创作,可是太懒,没刻出几方来。给人刻名章,就不能偷懒了。答应了人家,总不能拖得太久。于是我想,就把需要应酬的名章当创作刻吧。说是创作,其实并不是严格意义上的创作,应该说是半创作。我是想用旧瓶装新酒——用各种各样的旧瓶子(比如古玺、魏晋官印、隋唐官印、吴让之),装各种各样的新酒(诸位师友的名号)。我渴望把这些瓶子做得越古越好。要把瓶子做得古,有难度。开始的时候,难在皮相。后来的时候,难在骨格。而无论在开始还是在后来,要做得古,就得付出代价。我非常赞赏 T,S,艾略特的观点:“诗并不是放纵情感,
These prints were made by me in 1999. More is a chapter, but not entirely for socializing. I have always wanted to engrave a few loose chapters, I think the chan Zhang more like the so-called creation, but too lazy, did not carve out a few ways. Give people a seal, you can not be lazy. Promised others, can not be dragged too long. So I think, put the need to socialize when the engraved engraved chapter. To say that creation is actually not a creation in the strict sense, it should be said that it is a semi-creation. I want to use the old bottle of new wine - with a variety of old bottles (such as the ancient seal, Wei and Jin official seal, Sui and Tang official seal, Wu let), install a variety of new wine (you mentor name). I long to make these bottles as old as possible. To make the bottle ancient, difficult. The beginning, hard in the skin. Later, hard in the skeleton. Whether in the beginning or in the future, to do the past, you have to pay the price. I very much appreciate T, S, Eliot’s point of view: ”Poetry is not to indulge emotion,