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纸和笔等工具就是这样被赋予了某种精神,以至于如若分析中西绘画的差别,它们无疑成为首先被考虑的因素。不过话说回来,工具不过是被精神塑形的物质,它对于今日的艺术家其实更像个借口。对于艺术创作而言,最根本的核心所在其实是人的创造,笔和墨之间的关系,更多是靠人的审美而实现的精神与物的沟通。同样是用纸,不同思考维度的艺术家会有决然不同的切入点,只是当我们的国画创作还禁锢在程式和章法里,需要通过花花草草小虫子来表达情感的时候,实际上已经进入一种自我陶醉的幻象——我们今日所要思考的,是这种程式在
Tools such as paper and pen are thus given some kind of spirit that if one were to analyze the differences between Chinese and Western paintings, they undoubtedly became the first factor to be considered. But then again, a tool is nothing more than a spiritual object, which is more an excuse for today’s artist. For artistic creation, the most fundamental core is actually the creation of man. The relationship between pen and ink is more based on the human’s aesthetic and the spiritual and material communication. The same paper, different thinking dimensions of the artist will have a different entry point, but when our traditional Chinese painting is still imprisoned in the program and the chapter of law, when need to express feelings by means of flowers and insects, has actually entered a The ego-intoxicating illusion that we are thinking today is this program