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传统工笔画中的线性画法在中国绘画史上有着举足轻重的地位,从战国到明清,从墓室壁画到绢本锦帛,均体现了其在现实艺术领域中的主导地位。然而在文人画之外,更多的民间工笔画开始采用重彩加晕染的方法,逐步将“色”与后来的“墨”提升到了一定高度。
The traditional method of linear painting in Chinese painting has a pivotal position in the history of Chinese painting. From the Warring States Period to the Ming and Qing dynasties and from the tomb murals to the silk and silk brocades, they both reflected their dominance in the realm of art. However, besides the literati painting, more folk painting began to adopt the method of heavy color and blooming, and gradually raised the “color” and later “ink” to a certain height.