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我在西北五省(自治区)戏剧会演中,看了許多很好的传統剧和历史剧。其中有根据民間传说改編的《渭干河》(烏魯木齐市群众京剧团演出)《吹鼓手娶亲》(汉中歌剧团演出),有根据历史改編的《守江阴》(张掖专区七一秦剧团演出),还有經过整理改編的传統剧目如《吵宮》(甘肃省秦剧团演出)《斬六郎》(青海省秦剧团演出)《乾元山》(宁夏京剧院、易俗社演出)等。这些受到观众热烈欢迎的好戏的上演。說明西北各省贯徹了两条腿走路的方針。下面举几个例子,淡一下看这些戏的感想。《辕门斬子》是一出砇姷木缒俊Ｕ庖换厝纯戳艘淮涡碌难莩觥Ｕf“新”,首先因为剧种——同州梆子对我來說是新的。有悠久历史传統的同州梆子(有
In the drama performance of the five provinces (autonomous regions) in the northwest China, I have seen many good traditional and historical plays. Among them are the “Weigan River” (Urumqi City Peking Opera Troupe performed) according to folklore, the “drummer married” (Hanzhong Opera Troupe), according to historical adaptation of “Jiangyin” (Zhangye area 七一 秦剧团Performance), as well as after the reorganization of the traditional repertoire, such as “Noisy Palace” (Gansu Qin Opera Troupe performance) “Kill Rokuro” (Qinghai Qin Opera Troupe) “Qigan Yuan” (Ningxia Peking Opera Theater, )Wait. These are good shows staged by the audience. Indicating that the two northwestern provinces implement the principle of walking on two legs. Here are a few examples, take a moment to see the feelings of these plays. “Yuan Men Zha Zi” is a 砇 姷 wood 缒 Jun U 庖 change the house pure poke hardship 淮 Uf “new”, first of all because the drama - Tongzhou Bangzi is new to me. Have a long history of the same state clapper (with