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古往今来的作家从来不是活在乌托邦或者理想国里,他们的道德激情、梦想操守、精神标尺、艺术追求一旦与历史境遇、时代氛围、生命轨迹乃至个人潜意识心理发生严重对峙、冲撞和龃龉,则他们的文化人格结构就会变得异乎寻常地敏感、迷离、飘忽,有如风中燃烧的蜡烛易于无常幻灭。即使少数人像嵇康那样面对命运和异数笑看生死,豁达从容,在人类心灵家园的整体格局里,这类人往往被视为视死如归的狂狷之士,享受崇高的祭祀和供奉,却不方便成为遵循与参
Writers of the past and present have never lived in the utopia or the ideal world. Their moral passion, dream ethics, spirit rulers, and artistic pursuits, once they confront and collide with the historical situation, the times, the life trajectory and even the individual subconscious mind, then they Of the cultural personality structure will become unusually sensitive, blurred, erratic, like the burning candles in the wind is easy impermanence disillusioned. Even in the face of the same fate and different numbers as K’i-kang, a few people look at life and death with ease and calmness. In the overall pattern of the human mind and home, such people are often regarded as fanciful and worthy sacrifices and sacrifices Inconvenient to become follow and participation