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邱世华的绘画貌似空无一物驻足观赏之后方能瞥见其间的鸿蒙奇景然而,除此之外它们还隐藏着一言难尽的错综复杂亟待观者层层深入在北京麦勒画廊近期邱世华个展中,观赏者常常在亚麻色的画面前驻足良久,花费比看一幅内容和色彩明晰的绘画更长的时间,才能辨识邱世华貌似空空如也的布面油画中飘渺隐约的形象。这是干画法和浅淡的着色所造成的。而作品常被命名为《无题》而缺乏画面之外的暗示,解开谜题便更为困难。而观众观看一段时间后,随着细节显现得越来越多,才能感知到绘画隐含的形象:若有似无的蓝天、白云、黄土、绿树溶在迷雾或风沙中,场景辽远开阔(他
Qiu Shih Hua’s paintings look like nothing until they can see the glimpse of Hong Meng Qi However, in addition they also hide a word of intricate and intricacies urgently need to see the layers of depth in the Beijing Myers Gallery recently Qiu Shihua solo exhibition, the audience Often standing in front of a flamboyant picture for a long time, spending a longer period of time than looking at a single piece of content and a clear-cut painting can one discern the vaguely vague image of the seemingly empty canvas of Qiu Shihua. This is caused by dry painting and pale coloring. The work is often referred to as “Untitled” and lacks the hint of the picture, making it more difficult to solve puzzles. However, when the audience watches for a period of time, as the details appear more and more, the implicit image of the painting can be perceived: if there is no blue sky, white clouds, loess and green trees are dissolved in the fog or sandstorm, the scene is far and wide he