后现代主义文学的悄然回退——以唐·德里罗的小说《地下世界》为例

• 作 者: 符韵 丁志斌
• 机 构: 吉首大学国际交流与公外教育学院,吉首大学外国语学院,
• 出 处: 河南师范大学学报(哲学社会科学版)
• 发表日期: 2014年06期
• 关键词: 后现代主义文学 现代主义作家 罗的 唐·德里罗 精神指向 传统叙事 创作实绩 回退 巨人队 无深度性

后现代主义作为一个文学流派,已然是一个既成事实。它试图表现出对现代主义的批判和超越,但其“不确定性”内涵和创作仍然孕育于现代主义之中,还不足以意指一个新的“现实”或“世界观”。本质上,它与现代主义是并蒂共生的统一体。后现代主义作家唐·德里罗的文学创作向现代主义、甚至向传统叙事回退的态度,典型地表明:后现代主义作家已有的创作实绩和作品本身体现出的精神指向,尚不足脱离现代主义自成一统,一定程度上仍在现代主义的范畴之内,不过是现代主义文学内部一个分支的继续。

As a school of literature, postmodernism is already a fait accompli. It tries to show the critique and transcendence of modernism, but its “uncertainty” connotation and creation are still nurtured in modernism, not enough to mean a new “reality” or “world view” ". In essence, it is a coherent symbiosis with modernism. The postmodernist writer Don DeLillo’s literary creation turned back to modernism and even to traditional narratives. It typically shows that the existing achievements of the post-modernist writers and the spiritual orientation embodied in the works themselves are not enough to be divorced from the modern The unification of doctrines and, to a certain extent, still within the scope of modernism is but a continuation of a branch within the modernist literature.