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20世纪百年的中国美术史是立体和多向的历史。历史波诡云谲,中国美术由古典向现代形态转换的历程一波三折。中西之争,古今之辩,雅俗的分野,不同观念不同风格的取向与各种矛盾交织纠缠在一起。其中,我国多民族文化资源是极为活跃的元素。回顾20世纪,尤其新中国建国后50余年,在我们所取得的巨大成绩之中,少数民族题材的美术创作占据了相当重要的份量,
The history of Chinese art in the 20th century, a century, is a three-dimensional and multi-directional history. The waves of history are staggering, and the course of the transformation of Chinese art from classical to modern forms twists and turns. The dispute between China and the West, the debate between ancient and modern times, the distinction between elegant and vulgar, the different styles of different concepts and various kinds of contradictions are intertwined. Among them, the multi-ethnic cultural resources in our country are extremely active elements. Looking back more than 50 years after the founding of New China in the 20th century, especially in the tremendous achievements we have made, the artistic creation of ethnic minority subjects occupies a significant weight.