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程勉的代表性作品《血寰——南京大屠杀木刻系列组画》(简称《血寰》),始于1982年日本文部省修改教科书(篡改历史)时而激起的愤怒之情。随后,他查阅了1937年底日本侵略军在南京屠杀了30万居民的文字、图像和纪实影片等资料,“脑海里涌现出无数的人,或者说是那些死去的幽灵的活动。这种间接的感受对我的感情冲击太大了,我无法控制自己,好像耳目所及,遍地都是血、枪杀时的喊叫、母婴的哭泣、血染的秦淮水、成堆的尸体、火烧、活埋……,所有这一切都在脑海中反复出现……”。彼时,他也想到他的父亲在日军侵入山东故乡后,惨死于战乱而彻底改变了一家人的命
Cheng Mian’s representative work “Blood Huan-Nanjing Massacre Woodcut Series Painting” (“Blood Huan”) began with the anger provoked by Japan’s Ministry of Education in 1982 when he revised his textbook (history of tampering). Subsequently, he consulted the Japanese aggression army in late 1937 massacre of 300,000 inhabitants in Nanjing text, images and documentaries and other information, “my mind emerged in countless people, or those dead ghost activities .This indirect The feelings of my feelings too much impact, I can not control myself, as if the eyes and ears, and everywhere are blood, shot when the cry, crying mother and child, bloody Qinhuai water, piles of bodies, fire, buried alive ..., all of this is repeated in my mind ... ”. At that time, he also thought that after his Japanese invaded Shandong’s hometown, his father died in the war and completely changed the life of his family