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艺术生命力与政治的关系问题,历来是引起人们兴趣和争论的题目。时至今日,也还有这样一种看法,认为表现政治题材,政治内容的戏剧作品往往是昙花一现的;戏剧要获得长久的艺术生命力,就得离政治远些,而去表现生、死、爱情等具有“永恒性”的主题。这种看法不符合人类的审美实践,也是没有根据的。审美实践是审美创造和审美欣赏的统一,它遵循的是美的规律。马克思指出,人“懂得按照任何物种的尺度来进行生产,并且随时随地都能用内在固有的尺度来衡量对象;所以,人也按照美的规律来
The issue of the relationship between artistic vitality and politics has always been the subject that arouses people’s interest and controversy. Today, there is still a view that theater productions that show political themes and political content tend to be short-lived. To obtain the long-term artistic vitality of drama, the theater needs to be far away from politics and to express the life, death and love Have the theme of “eternity”. This view is not consistent with human aesthetic practice, there is no basis. Aesthetic practice is the unity of aesthetic creation and aesthetic appreciation, and it follows the law of beauty. Marx states that people "know how to produce according to the scales of any species, and wherever they are measured by their intrinsic dimensions; therefore, according to the laws of the United States