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一部《一九四二》不仅让冯小刚当之无愧地登上了大陆电影的巅峰,更颠覆了大众以往对他缺乏艺术性和文化厚重感的认知。片头“一九四二”四个苍劲大字,冯导别出心裁地使用了扬州雕版,特意请扬州雕版大师陈义时亲自雕刻,沧桑古朴而不乏灵动,扎实厚重而不失俊秀,为影片增色不少。不得不承认,中国雕版艺术所独有的文化底蕴和审美艺术感是现代印刷技术所无法比拟的。
A “1942” not only made Feng Xiaogang deservedly boarded the peak of the mainland film, but also overturned the masses’ past perceptions of his lack of artistic and cultural magnificence. The title “1942 ” four vigorous characters, Feng guide ingenuity to use the Yangzhou engraving, Yangzhou carving master Chen Yi deliberately engraved, the vicissitudes of simple and no lack of smart, solid and solid without losing handsome, a lot of film to add color . Have to admit that China’s unique culture of art carving plate and aesthetic sense of art is incomparable with the modern printing technology.