颠狂的摇滚

• 作 者: 姜澄清
• 出 处: 文史天地
• 发表日期: 2002年10期
• 关键词: 怀素 脱帽露顶 高闲 野逸 圣传 杜甫诗 提按 艺术创造 公孙大娘 于斯

初唐书坛的热潮，实在是由皇帝鼓动起来的，而参与者，也多是显宦重臣。在朝、在野差异难免；欧、褚诸公的字，一派雍容典雅的贵族气象。时移世易，至中唐，登台唱戏的，却是另一路野逸之士，他们不再唱什么“笔正心正”的正腔，三杯下肚，妙迹顿出(杜甫诗有“张旭三杯草圣传”

The upsurge of the early Tang Dynasty altar was actually encouraged by the emperor, and the participants were mostly prominent officials. Differences in the North Korea and the opposition are inevitable; the words of Zhu and Chu in Europe and Chu are graceful and graceful aristocrats. Time shifted to the East, to the Mid-Tang, singing on stage, but it is another way Yee Shi, they no longer sing what the “pen is heart,” the orthodox, three cups all over, wonderful results (Du Fu poetry “Zhang Xu three cups of grass biography”