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文人画是中国绘画传统中在世界艺术范围内最具有特点的一种绘画形式,这一点在人们的认识中似乎不存在歧义。作为一个中国画画家,不管他对文人画持怎样的态度,文人画这一传统都是他无法回避的,或去或取,去什么与怎么去,取什么与怎么取,态度自在其中,即便是自由自在地玩(艺术家每以此捉弄态度严重的理论家)。也许是因为中国人的文化基因中有太强的历史感,而关于这一点我尚不能确
Literati painting is one of the most distinctive forms of painting in the Chinese art tradition within the art world. There seems to be no ambiguity in people’s understanding. As a Chinese painter, regardless of his attitude toward the literati, his tradition of literati painting is unavoidable to him or to go or take, what to do and how to take it, how to take it and how to take it. Even if it is Play freely (the artist, for the most part, teaser for theorizing). Maybe because there is too much sense of history in the cultural genes of Chinese people, and I’m not sure about this yet.