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《日光》是斯威夫特1997年的力作。甫一问世,便引起了评论界的极大关注。本文拟通过小说中的意象群在伦理学的维度中加以阐释,对大卫·马尔康姆《日光》评论中两个有失偏颇的论断予以反驳,并以此进一步论证《日光》中所涵蕴的生存主题。
Sunlight is Swift’s masterpiece of 1997. As soon as he came out, he caught the great attention of critics. This article intends to explain the two biased assertions in David Marcon’s Nikko commentaries by explaining the group of images in the novel in the dimension of ethics and to further prove the meaning contained in Nikko The theme of survival.