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一、引言潘金莲是出自于施耐庵的《水浒传》后由兰陵笑笑生在《金瓶梅》中浓墨重彩进一步深化的艺术形象。但不论是作为《水浒传》中梁山好汉、草莽英雄的陪衬,还是《金瓶梅》里集中描写和刻画的主角,潘金莲都不可避免地成为淫荡、邪恶、狠毒、妖妇的代名词。近年来,随着对相关文学作品的深入研究和人们世俗观念的变化,一些研究者们不再一味地对她进行抨击和批斗,而是将其置于现实的社会环境之下
I. Introduction Pan Jinlian is an artistic image of “Jin Ping Mei” which is enriched by Lan Ling Xiao Xiaosheng after “Water Margin” by Shi Naian. However, as both the hero of Liangshan in the Water Margin, the foil of the hero of the wilderness, or the protagonist of the central portrayal and portrayal of Jin Ping Mei, Pan Jinlian inevitably becomes synonymous with sensuality, evil, viciousness and demon. In recent years, with the in-depth study of related literary works and the changes of people’s secular concepts, some researchers stop attacking and criticizing her blindly, but put it under the realistic social environment