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笔者曾用一段时间小心翼翼地涉足了自己不大熟悉的现代文学领域。其间思考较多的,是一百多年来文学观的变化。后来与人联名发表论文《现代文学的自我认同》,以二十世纪八十年代以后相继出现的“二十世纪中国文学”、“文学性”两个论题为个案,考察了相关学术链。本文承接这一线索,对近些年出现的当代文学经典化研究的现象给予定位。一读民国时的作品,笔者对现代作家常怀
I used to use some time carefully involved himself in the area of modern literature are not familiar with. In the meantime, more thinking is the change of the literary view over a hundred years. Later, she co-authored his dissertation “self-identity of modern literature”. Taking the two topics “Chinese Literature of the 20th Century” and “Literary Nature” appearing one after another since the 1980s as a case study, Academic chain. This article takes this clues and gives some advice on the phenomenon of the classic study of contemporary literature appearing in recent years. When I first read the works of the Republic of China, I often Chang Huai, a modern writer